R.H. Quaytman's exhibition Passing through the opposite of What it Approaches, Chapter 25 at the Renaissance Society of Chicago is an installation in Chapters. Quaytman was interviewed by Paulina Pobocha for Museo Magazine. In the interview Quaytman talks about working in chapters and a way of thinking about painting
The problem, since the very beginning, upon leaving art school, was how to reinvent some rules, how to continue with abstraction but also introduce perspective. This led me to the next problem: how to paint a painting that was not founded on its bounded oneness but contingent upon different structures, whether they be architectural, optical, historical, or biographical.
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The problem, since the very beginning, upon leaving art school, was how to reinvent some rules, how to continue with abstraction but also introduce perspective. This led me to the next problem: how to paint a painting that was not founded on its bounded oneness but contingent upon different structures, whether they be architectural, optical, historical, or biographical.
