I saw a some of Laura Sharp Wilson's paintings at
McKenzie before this show, they reminded me of early Lari Pittman but on a much smaller scale. I found their materiality and collage aesthetic more engaging than the image. In
Thomas Michellini's review for
Hyperallergic he writes
The freshness of Wilson’s high-contrast imagery is derived in part from her mix of materials: acrylic and graphite on Unryu, mulberry or silk paper, which she applies to wood panels — at times painting the verso of the translucent sheet to achieve a distancing effect, or pasting in a cutout shape to bump out the painting’s surface, or leaving an area blank so that the wood panel beneath supplies a tone to the paper.
![Wilson_1996]() |
Laura Sharp Wilson, “1996″ (2014), acrylic and graphite with collage on silk paper mounted on wood, 32 x 24 in (all images courtesy McKenzie Fine Art, Inc.) |
![Copper]() |
Laura Sharp Wilson, Copper, 2013 Acrylic and graphite with collage on mulberry paper mounted on wood 16 x 23 1/2 inches |
![Lou Mandala with Cady Underneath]() |
Laura Sharp Wilson, Lou Mandala with Cady Underneath, 2013 Acrylic and graphite on Unryu paper mounted on wood 18 x 17 inches |