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Richard Tuttle
Here's a couple of images from Richard Tuttle's show at Marianne Goodman last fall.THE PLACE IN THE WINDOW, II, #5, 2013WIRE, MESH WALL SCULPTURE45 X 54 X 15 CM (17 ¾ X 21 ¼ X 6 IN.)The Place in the...
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Amy Pleasant re//form
Joanna Wilson visited Amy Pleasant in her studio for Burnaway. The artist was making work for an upcoming show at Whitespace in Atlanta and Wilson asked about the work in progress..I think all of the...
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Michael Olin at Edward Thorp
Anne Russinoff posted on her blog Gallery Travels the paintings of Michael Olin one of the artists in the exhibition at Edward Thorp "New Work, Five Painters". More work from the show is here
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Christopher McNulty's Vanitas
It's been a while since I've seen Christopher McNulty's work, my fault I'm sure. I had included work from his Straight II series in an exhibition back when I was curating exhibitions regularly. Brett...
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Stuart Lorimer, Artist Interview
Stuart Lorimer had a studio visit with Zachary Keeting and Christopher Joy of Gorky's Granddaughter. Lorimer's work ranges from figurative to abstract and even symbolism. They talked about Lorimer's...
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JMW Turner and Helen Frankenthaler
Gagosian Gallery organized a terrific survey of Helen Frankenthaler's paintings last year, I posted on it here. Not to be outdone the Turner Contemporary in Margate has curated an exhibition of JMW...
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Joe Warrior Walker, Artist Interview
Traction Magazine interviewed Joe Warrior Walker about painting in the digital age. Walker discusses his thinking about technology and its historical incorporation into the discipline of painting. He...
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Red Grooms: Larger than Life
Yale University Art Gallery received a rich collection of large paintings, cartoons and drawings by Red Grooms. Sylviane Gold reviewed the show for the NY TimesRed Grooms: Larger than Life is big,...
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Dead or Alive, I love painting
The “Painting Is Dead” Versus “Painting Is Back” List was posted by Corinna Kirsch for Art F City. It's the Schrödinger's Cat paradox of the art world and much like Shrödinger's thought experiment, the...
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One Lump or Two, Amy Sillman
A really interesting review of Amy Sillman's show at ICA gives me an excuse to post some more images from the exhibition.Joe Ledue writes for Art New EnglandAs the title for a mid-career retrospective...
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Ed Clark at Tilton Gallery
Ed Clark's exhibition Big Bang at Tilton Gallery is his first solo show in NYC in eight years. Andrew Russeth reviewed the show for the GalleristMr. Clark works with his raw canvases on the floor, and...
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Michel Majerus, it's time for a bigger show
Twenty-five paintings by the late Michel Majerus just opened at Matthew Marks. Expanding and inventing beyond 1980's appropriation, Majerus was just getting started. His studio is still maintained and...
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Painting isn't for Everyone...Eight Painters
Paul Benke curated an exhibition Eight Painters for Markel. Brett Baker interviewed the curator about the project, his decision not to create a thematic exhibition, the cultural capabilities of...
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William J. O'Brien in stanza's
Here are a couple of the images from William J. O'Brien's show at the MCA. I'll post some of my pics soon. It's going to be a love fest. Really. Curator Naomi Beckwith worked to maintain O'Brien's...
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Violet Fogs Azure Snot, Molly Zuckerman Hartung
Violet Fogs Azure Snot, Molly Zuckerman-Hartung's exhibition at Corbett Dempsey is a bit of a flirt. They look so casual, hanging so nicely on the wall, so well behaved, until you get up close. That's...
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Violet Fogs part II Molly Zuckerman-Hartung, iu,
Here's the second group of images from Molly Zuckerman-Hartung's show Violet Fogs Azure Snot. Check out the details, the side views, the seams, the folds, she's armed and deploying all of it!Molly...
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William J. O'Brien at the MCA
As promised here are more images from the William J O'Brien show at the Museum of Contemporary Art, Chicago. This post, like the Molly Zuckerman-Hatung post, is going to span two days. It's the detail...
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William J O'Brien
Here's the last of group of images from the O'Brien show.William J O'Brien, Untitled, 2012, Colored pencil, ink and glitter on paper, 67 x 36"William J O'Brien, Untitled detailWilliam J O'Brien,...
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Leslie Wayne's Renegade Realism
Leslie Wayne's thick layered and peeling surfaces of oil paint have come off the frame in her show at Jack Shainman. Wayne's paint has become the painters rag.David Pagel writes in his catalog essay...
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Overstimulation and Painting, Simone Subal
The Event we Call Seeing was Sonia Almeida's exhibition at Simone Subal. As the show title alludes Almeida questions the nature of visual perception. Paulina Perlwitz reviewed the show for Big, Red and...
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